Студопедия — Part 1 Home Reading
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Part 1 Home Reading






Giambattista Pittoni, Tombe allégorique de Lord Dorsetca, ca. 1733

Cycladic, a votive head, 2700–2300 BC

Egyptian, stele, Priest burning incense before Ra-Horakhty-Atum, ca. 900 BC

Ancient Persia, the Ibex Rhyton, 600–300 BC

Ancient Greek, Athens, The Rampin Rider,

Etruscan amphora, Diomedes and Polyxena, ca. 540–530 BC

  • Giambattista Pittoni, The Sacrifice of Polyxena at the Tomb of Achilles, ca. 1733

Hellenic Near East, The Eros Medallion, ca. 250–200 BC

Fayum Egyptian, Fayum mummy portrait

Roman, portrait of Marcus Agrippa, 25 BC

Frankish, ivory, Christ between two apostles, 5th century

Islamic art from Iraq, terracotta cup, 9th century

Romanesque art from Maastricht, Reliquary, 11th century

Romanesque architecture from France, St Michael and the Devil, 12th century

Italian Renaissance painting, St Francis receiving the stigmata, Giotto, c.1300

Early Netherlandish painting, The Annunciation, Rogier van der Weyden, 1435

Gothic art from France, The Pieta of Villeneuve les Avignon, Enguerrand Quarton, 1460

Italian Renaissance painting, Portrait of an old man and his grandson, Ghirlandaio, 1488

Flemish painting, The Moneylenders, Quentin Massys, 1514

Italian Renaissance painting, Baltasar de Castiglione, Raphael, c.1515

Italian Renaissance sculpture, Rebellious slave, Michelangelo, 1513–16

Venetian Mannerist painting, The Crucifixion, Paolo Veronese, c.1550

Italian Baroque painting, The Fortune Teller, Caravaggio, c.1600

English painting, Charles I at the Hunt, van Dyck, 1635

Dutch Baroque, The Lacemaker, Vermeer, 1664

Spanish painting, Infanta Maria Margareta, Velázquez, 1655

French Classicism, The Shepherds of Arcadia, Poussin, c.1640

French Rococo, Diana bathing, Boucher, 1742

French Classical painting, The Bather, Ingres, 1808

French Romantic art, Liberty Leading the People, Delacroix, 1830

 

 

Part 1 Home Reading

TEXT 1

Art for Heart's Sake' R. Goldberg

"Here, take your juice," said Koppel, Mr. Ellsworth's servant and nurse.

"No," said Collis P. Ellsworth.

"But it's good for you, sir!"

"The doctor insists on it."

Koppel heard the front door bell and was glad to leave the room. He found Doctor Caswell in the hall downstairs.

"I can't do a thing with him," he told the doctor." He doesn't want to take his juice. I can't persuade him to take his medicine. He doesn't want me to read to him. He hates TV. He doesn't like anything!"

Doctor Caswell took the information with his usual professional calm. This was not an ordinary case. The old gentleman was in pretty good health for a man of seventy. But it was necessary to keep him from buying things. His financial transactions always ended in failure, which was bad for his health.

"How are you this morning? Feeling better?" asked the doctor. "I hear you haven't been obeying my orders."

The doctor drew up a chair and sat down close to the old man. He had to do his duty. "I'd like to make a suggestion," he said quietly. He didn't want to argue with the old man.

Old Ellsworth looked at him over his glasses. The way Doctor Caswell said it made him suspicious. "What is it, more medicine, more automobile rides to keep me away from the office?" the old man asked with suspicion. "Not at all," said the doctor. "I've been thinking of something different. As a matter of fact I'd like to suggest that you should take up art. I don't mean seriously of course," said the doctor, "just try. You'll like it."

Much to his surprise the old man agreed. He only asked who was going to teach him drawing. "I've thought of that too," said the doctor. "I know a student from an art school who can come round once a week. If you don't like it, after a little while you can throw him out." The person he had in mind and promised to bring over was a certain Frank Swain, eighteen years old and a capable student. Like most students he needed money. Doctor Caswell kept his promise.

He got in touch with Frank Swain and the lessons began. The old man liked it so much that when at the end of the first lesson Koppel came in and apologized to him for interrupting the lesson, as the old man needed a rest, Ellsworth looked disappointed.

When the art student came the following week, he saw a drawing on the table. It was a vase. But something was definitely wrong with it.

"Well, what do you think of it?" asked the old man stepping aside.

"I don't mean to hurt you, sir...", began Swain.

"I see," the old man interrupted, "the halves don't match. I can't say I am good at drawing. Listen, young man," he whispered. "I want to ask you something before Old Juice comes again. I don't want to speak in his presence."

"Yes, sir," said Swain with respect.

"I've been thinking... Could you come twice a week or perhaps three times?"

"Sure, Mr. Ellsworth," the student said respectfully.

"When shall I come?"

They arranged to meet on Monday, Wednesday and Friday.

As the weeks went by, Swain's visits grew more frequent. The old man drank his juice obediently. Doctor Caswell hoped that business had been forgotten forever.

When spring came, Ellsworth painted a picture which he called "Trees Dressed in White." The picture was awful. The trees in it looked like salad thrown up against the wall. Then he announced that he was going to display it at the Summer Show at the Lathrop Gallery. Doctor Caswell and Swain didn't believe it. They thought the old man was joking.

The summer show at the Lathrop Gallery was the biggest exhibition of the year. All outstanding artists in the United States dreamt of winning a Lathrop prize.

To the astonishment of all "Trees Dressed in White" was accepted for the Show.

Young Swain went to the exhibition one afternoon and blushed when he saw "Trees Dressed in White".

Embarrassed of the strange picture, Swain rushed out. He was ashamed that a picture like that had been accepted for the show.

However Swain did not give up teaching the old man. Every time Koppel entered the room he found the old man painting something. Koppel even thought of hiding the brush from him. The old man seldom mentioned his picture and was usually cheerful.

Two days before the close of the exhibition Ellsworth received a letter. Koppel brought it when Swain and the doctor were in the room. "Read it to me," asked the old man putting aside the brush he was holding in his hand. "My eyes are tired from painting."The letter said: "It gives the Lathrop Gallery pleasure to announce that Collis P. Kllsworth has been awarded the First Landscape Prize of ten thousand dollars for his painting "Trees Dressed in White".

Smain became dumb with astonishment. Koppel dropped the glass with juice he was about to give Ellsworth. Doctor Caswell managed to keep calm. "Congratulations, Mr. Ellsworth," said the doctor. "Fine, fine... Frankly, I didn't expect that your picture would win the prize. Anyway I've proved to you that art is more satisfying than business."

"Art is nothing. I bought the Lathrop Gallery," said the old man highly pleased with the effect of his deception.







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Studopedia.info - Студопедия - 2014-2024 год . (0.023 сек.) русская версия | украинская версия