Студопедия — L. J. Smith 2 страница
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L. J. Smith 2 страница






Now, Stefan told Elena. He said to Matt, "Turn around."

Matt turned. And stifled a cry.

Elena stood there, but not the Elena of that afternoon, when Matt had last seen her. Now her feet were bare beneath the hem of her long dress. The thin folds of white muslin that clung to her were caked with ice crystals that sparkled in the light. Her skin, always fair, had a strange wintry luster to it, and her pale gold hair seemed overlaid with a silvery sheen. But the real difference was in her face. Those deep blue eyes were heavy-lidded, almost sleepy looking, and yet unnaturally awake. And a look of sensual anticipation and hunger curled about her lips. She was more beautiful than she had been in life, but it was a frightening beauty.

As Matt stared, paralyzed, Elena's pink tongue came out and licked her lips.

"Matt," she said, lingering over the first consonant of the name. Then she smiled.

Stefan heard Matt's indrawn breath of disbelief, and the near sob he gave as he finally backed away from her.

It's all right, he said, sending the thought to Matt on a surge of Power. As Matt jerked toward him, eyes wide with shock, he added, "So now you know."

Matt's expression said that he didn't want to know, and Stefan could see the denial in his face. But Damon stepped out beside Elena and moved a little to the right, adding his presence to the charged atmosphere of the room.

Matt was surrounded. The three of them closed in on him, inhumanly beautiful, innately menacing.

Stefan could smell Matt's fear. It was the helpless fear of the rabbit for the fox, the mouse for the owl. And Matt was right to be afraid. They were the hunting species; he was the hunted. Their job in life was to kill him.

And just now instincts were getting out of control. Matt's instinct was to panic and run, and it was triggering reflexes in Stefan's head. When the prey ran, the predator gave chase; it was as simple as that. All three of the predators here were keyed up, on edge, and Stefan felt he couldn't be responsible for the consequences if Matt bolted.

We don't want to harm you, he told Matt. It's Elena who needs you, and what she needs won't leave you permanently damaged. It doesn't even have to hurt, Matt. But Matt's muscles were still tensed to flee, and Stefan realized that the three of them were stalking him, moving closer, ready to cut off any escape.

You said you would do anything for Elena, he reminded Matt desperately and saw him make his choice.

Matt released his breath, the tension draining from his body. "You're right; I did," he whispered. He visibly braced himself before he continued. "What does she need?"

Elena leaned forward and put a finger on Matt's neck, tracing the yielding ridge of an artery.

"Not that one," Stefan said quickly. "You don't want to kill him. Tell her, Damon." He added, when Damon made no effort to do so, Tell her.

"Try here, or here." Damon pointed with clinical efficiency, holding Matt's chin up. He was strong enough that Matt couldn't break the grip, and Stefan felt Matt's panic surge up again.

Trust me, Matt. He moved in behind the human boy. But it has to be your choice, he finished, suddenly washed with compassion. You can change your mind.

Matt hesitated and then spoke through clenched teeth. "No. I still want to help. I want to help you, Elena."

"Matt," she whispered, her heavy-lashed jewel blue eyes fixed on his. Then they trailed down to his throat and her lips parted hungrily. There was no sign of the uncertainty she'd shown when Damon suggested feeding off the paramedics. "Matt." She smiled again, and then she struck, swift as a hunting bird.

Stefan put a flattened hand against Matt's back to give him support. For a moment, as Elena's teeth pierced his skin, Matt tried to recoil, but Stefan thought swiftly, Don't fight it; that's what causes the pain.

As Matt tried to relax, unexpected help came from Elena, who was radiating the warm happy thoughts of a wolf cub being fed. She had gotten the biting technique right on the first try this time, and she was filled with innocent pride and growing satisfaction as the sharp pangs of hunger eased. And with appreciation for Matt, Stefan realized, with a sudden shock of jealousy. She didn't hate Matt or want to kill him, because he posed no threat to Damon. She was fond of Matt.

Stefan let her take as much as was safe and then intervened. That's enough, Elena. You don't want to injure him. But it took the combined efforts of him, Damon, and a rather groggy Matt to pry her off.

"She needs to rest now," Damon said. "I'm taking her someplace where she can do it safely." He wasn't asking Stefan; he was telling him.

As they left, his mental voice added, for Stefan's ears alone, I haven't forgotten the way you attacked me, brother. We'll talk about that later.

Stefan stared after them. He'd noted how Elena's eyes remained locked on Damon, how she followed him without question. But she was out of danger now; Matt's blood had given her the strength she needed. That was all Stefan had to hang on to, and he told himself it was all that mattered.

He turned to take in Matt's dazed expression. The human boy had sunk into one of the plastic chairs and was gazing straight ahead.

Then his eyes lifted to Stefan's, and they regarded each other grimly.

"So," Matt said. "Now I know." He shook his head, turning away slightly. "But I still can't believe it," he muttered. His fingers pressed gingerly at the side of his neck, and he winced. "Except for this." Then he frowned. "That guy—Damon. Who is he?"

"My older brother," Stefan said without emotion. "How do you know his name?"

"He was at Elena's house last week. The kitten spat at him." Matt paused, clearly remembering something else. "And Bonnie had some kind of psychic fit."

"She had a precognition? What did she say?

"She said—she said that Death was in the house."

Stefan looked at the door Damon and Elena had passed through. "She was right."

"Stefan, what's going on?" A note of appeal had entered Matt's voice. "I still don't understand. What's happened to Elena? Is she going to be like this forever? Isn't there anything we can do?"

"Be like what?" Stefan said brutally. "Disoriented? A vampire?"

Matt looked away. "Both."

"As for the first, she may become more rational now that she's fed. That's what Damon thinks anyway. As for the other, there's only one thing you can do to change her condition." As Matt's eyes lit with hope, Stefan continued. "You can get a wooden stake and hammer it through her heart. Then she won't be a vampire anymore. She'll just be dead."

Matt got up and went to the window.

"You wouldn't be killing her, though, because that's already been done. She drowned in the river, Matt. But because she'd had enough blood from me"—he paused to steady his voice—"and, it seems, from my brother, she changed instead of simply dying. She woke up a hunter, like us. That's what she'll be from now on."

With his back still turned, Matt answered. "I always knew there was something about you. I told myself it was just because you were from another country." He shook his head again self-deprecatingly. "But deep down I knew it was more than that. And something still kept telling me I could trust you, and I did."

"Like when you went with me to get the vervain."

"Yeah. Like that." He added, "Can you tell me what the hell it was for, now?"

"For Elena's protection. I wanted to keep Damon away from her. But it looks as if that's not what she wanted after all." He couldn't help the bitterness, the raw betrayal, in his voice.

Matt turned. "Don't judge her before you know all the facts, Stefan. That's one thing I've learned."

Stefan was startled; then, he gave a small humorless smile. As Elena's exes, he and Matt were in the same position now. He wondered if he would be as gracious about it as Matt had been. Take his defeat like a gentleman.

He didn't think so.

Outside, a noise had begun. It was inaudible to human ears, and Stefan almost ignored it—until the words penetrated his consciousness.

Then he remembered what he had done in this very school only a few hours ago. Until that moment, he'd forgotten all about Tyler Smallwood and his tough friends.

Now that memory had returned; shame and horror closed his throat. He'd been out of his mind with grief over Elena, and his reason had snapped under the pressure. But that was no excuse for what he had done. Were they all dead? Had he, who had sworn so long ago never to kill, killed six people today?

"Stefan, wait. Where are you going?" When he didn't answer, Matt followed him, half running to keep up, out of the main school building and onto the blacktop. On the far side of the field, Mr. Shelby stood by the Quonset hut.

The janitor's face was gray and furrowed with lines of horror. He seemed to be trying to shout, but only small hoarse gasps came out of his mouth. Elbowing past him, Stefan looked into the room and felt a curious sense of dejà vu.

It looked like the Mad Slasher room from the Haunted House fundraiser. Except that this was no tableau set up for visitors. This was real.

Bodies were sprawled everywhere, amid shards of wood and glass from the shattered window. Every visible surface was spattered with blood, red-brown and sinister as it dried. And one look at the bodies revealed why: each one had a pair of livid purple wounds in the neck. Except Caroline's: her neck was unmarked, but her eyes were blank and staring.

Behind Stefan, Matt was hyperventilating. "Stefan, Elena didn't—she didn't—"

"Be quiet," Stefan answered tersely. He glanced back at Mr. Shelby, but the janitor had stumbled over to his cart of brooms and mops and was leaning against it. Glass grated under Stefan's feet as he crossed the floor to kneel by Tyler.

Not dead. Relief exploded over Stefan at the realization. Tyler's chest moved feebly, and when Stefan lifted the boy's head his eyes opened a slit, glazed and unfocused.

You don't remember anything, Stefan told him mentally. Even as he did it, he wondered why he was bothering. He should just leave Fell's Church, cut out now and never come back.

But he wouldn't. Not as long as Elena was here.

He gathered the unconscious minds of the other victims into his mental grasp and told them the same thing, feeding it deep into their brains. You don't remember who attacked you. The whole afternoon is a blank.

As he did, he felt his mental Powers tremble like overfatigued muscles. He was close to burnout.

Outside, Mr. Shelby had found his voice at last and was shouting. Wearily, Stefan let Tyler's head slip back through his fingers to the floor and turned around.

Matt's lips were peeled back, his nostrils flared, as if he had just smelled something disgusting. His eyes were the eyes of a stranger. "Elena didn't," he whispered. "You did."

Be quiet! Stefan pushed past him into the thankful coolness of the night, putting distance between him and that room, feeling the icy air on his hot skin. Running footsteps from the vicinity of the cafeteria told him that some humans had heard the janitor's cries at last.

"You did it, didn't you?" Matt had followed Stefan out to the field. His voice said he was trying to understand.

Stefan rounded on him. "Yes, I did it," he snarled. He stared Matt down, concealing none of the angry menace in his face. "I told you, Matt, we're hunters. Killers. You're the sheep; we're the wolves. And Tyler has been asking for it every day since I came here."

"Asking for a punch in the nose, sure. Like you gave him before. But—that?" Matt closed in on him, standing eye to eye, unafraid. He had physical courage; Stefan had to give him that. "And you're not even sorry? You don't even regret it?"

"Why should I?" said Stefan coldly, emptily. "Do you regret it when you eat too much steak? Feel sorry for the cow?" He saw Matt's look of sick disbelief and pressed on, driving the pain in his chest deeper. It was better that Matt stay away from him from now on, far away. Or Matt might end up like those bodies in the Quonset hut. "I am what I am, Matt. And if you can't handle it, you'd better steer clear of me."

Matt stared at him a moment longer, the sick disbelief transforming slowly into sick disillusionment. The muscles around his jaw stood out. Then, without a word, he turned on his heel and walked away.

 

Elena was in the graveyard.

Damon had left her there, exhorting her to stay until he came back. She didn't want to sit still, though. She felt tired but not really sleepy, and the new blood was affecting her like a jolt of caffeine. She wanted to go exploring.

The graveyard was full of activity although there wasn't a human in sight. A fox slunk through the shadows toward the river path. Small rodents tunneled under the long lank grass around the headstones, squeaking and scurrying. A barn owl flew almost silently toward the ruined church, where it alighted on the belfry with an eerie cry.

Elena got up and followed it. This was much better than hiding in the grass like a mouse or vole. She looked around the ruined church interestedly, using her sharpened senses to examine it. Most of the roof had fallen in, and only three walls were standing, but the belfry stood up like a lonely monument in the rubble.

At one side was the tomb of Thomas and Honoria Fell, like a large stone box or coffin. Elena gazed earnestly down into the white marble faces of their statues on the lid. They lay in tranquil repose, their eyes shut, their hands folded on their breasts. Thomas Fell looked serious and a little stern, but Honoria looked merely sad. Elena thought absently of her own parents, lying side by side down in the modern cemetery.

I'll go home; that's where I'll go, she thought. She had just remembered about home. She could picture it now: her pretty bedroom with blue curtains and cherrywood furniture and her little fireplace. And something important under the floorboards in the closet.

She found her way to Maple Street by instincts that ran deeper than memory, letting her feet guide her there. It was an old, old house, with a big front porch and floor-to-ceiling windows in front. Robert's car was parked in the driveway.

Elena started for the front door and then stopped. There was a reason people shouldn't see her, although she couldn't remember what it was right now. She hesitated and then nimbly climbed the quince tree up to her bedroom window.

But she wasn't going to be able to get in here without being noticed. A woman was sitting on the bed with Elena's red silk kimono in her lap, staring down at it. Aunt Judith. Robert was standing by the dresser, talking to her. Elena found that she could pick up the murmur of his voice even through the glass.

"… out again tomorrow," he was saying. "As long as it doesn't storm. They'll go over every inch of those woods, and they'll find her, Judith. You'll see." Aunt Judith said nothing, and he went on, sounding more desperate. "We can't give up hope, no matter what the girls say—"

"It's no good, Bob." Aunt Judith had raised her head at last, and her eyes were red-rimmed but dry. "It's no use."

"The rescue effort? I won't have you talking that way." He came over to stand beside her.

"No, not just that… although I know, in my heart, that we're not going to find her alive. I mean… everything. Us. What happened today is our fault—"

"That's not true. It was a freak accident."

"Yes, but we made it happen. If we hadn't been so harsh with her, she would never have driven off alone and been caught in the storm. No, Bob, don't try to shut me up; I want you to listen." Aunt Judith took a deep breath and continued. "It wasn't just today, either. Elena's been having problems for a long time, ever since school started, and somehow I've let the signs slip right past me. Because I've been too involved with myself—with us —to pay attention to them. I can see that now. And now that Elena's… gone… I don't want the same thing to happen with Margaret."

"What are you saying?"

"I'm saying that I can't marry you, not as soon as we planned. Maybe not ever." Without looking at him, she spoke softly.

"Margaret has lost too much already. I don't want her to feel she's losing me, too."

"She won't be losing you. If anything, she'll be gaining someone, because I'll be here more often. You know how I feel about her."

"I'm sorry, Bob; I just don't see it that way."

"You can't be serious. After all the time I've spent here—after all I've done…"

Aunt Judith's voice was drained and implacable. "I am serious."

From her perch outside the window, Elena eyed Robert curiously. A vein throbbed in his forehead, and his face had flushed red.

"You'll feel differently tomorrow," he said.

"No, I won't."

"You don't mean it—"

"I do mean it. Don't tell me that I'm going to change my mind, because I'm not."

For an instant, Robert looked around in helpless frustration; then, his expression darkened. When he spoke, his voice was flat and cold. "I see. Well, if that's your final answer, I'd better leave right now."

"Bob." Aunt Judith turned, startled, but he was already outside the door. She stood up, wavering, as if she were unsure whether or not to go after him. Her fingers kneaded at the red material she was holding. "Bob!" she called again, more urgently, and she turned to drop the kimono on Elena's bed before following him.

But as she turned she gasped, a hand flying to her mouth. Her whole body stiffened. Her eyes stared into Elena's through the silvery pane of glass. For a long moment, they stared at each other that way, neither moving. Then Aunt Judith's hand came away from her mouth, and she began to shriek.

Four

Something yanked Elena out of the tree and, yowling a protest, she fell and landed on her feet like a cat. Her knees hit the ground a second later and got bruised.

She reared back, fingers hooked into claws to attack whoever had done it. Damon slapped her hand away.

"Why did you grab me?" she demanded.

"Why didn't you stay where I put you?" he snapped.

They glared at each other, equally furious. Then Elena was distracted. The shrieking was still going on upstairs, augmented now by rattling and banging at the window. Damon nudged her against the house, where they couldn't be seen from above.

"Let's get away from this noise," he said fastidiously, looking up. Without waiting for a response, he caught her arm. Elena resisted.

"I have to go in there!"

"You can't." He gave her a wolfish smile. "I mean that literally. You can't go in that house. You haven't been invited."

Momentarily nonplussed, Elena let him tow her a few steps. Then she dug her heels in again.

"But I need my diary!"

"What?"

"It's in the closet, under the floorboards. And I need it. I can't go to sleep without my diary." Elena didn't know why she was making such a fuss, but it seemed important.

Damon looked exasperated; then, his face cleared. "Here," he said calmly, eyes glinting. He withdrew something from his jacket. "Take it."

Elena eyed his offering doubtfully.

"It's your diary, isn't it?"

"Yes, but it's my old one. I want my new one."

"This one will have to do, because this one is all you're getting. Come on before they wake up the whole neighborhood." His voice had turned cold and commanding again.

Elena considered the book he held. It was small, with a blue velvet cover and a brass lock. Not the newest edition perhaps, but it was familiar to her. She decided it was acceptable.

She let Damon lead her out into the night.

She didn't ask where they were going. She didn't much care. But she recognized the house on Magnolia Avenue; it was where Alaric Saltzman was staying.

And it was Alaric who opened the front door, beckoning Elena and Damon inside. The history teacher looked strange, though, and didn't really seem to see them. His eyes were glassy and he moved like an automaton.

Elena licked her lips.

"No," Damon said shortly. "This one's not for biting. There's something fishy about him, but you should be safe enough in the house. I've slept here before. Up here." He led her up a flight of stairs to an attic with one small window. It was crowded with stored objects: sleds, skis, a hammock. At the far end, an old mattress lay on the floor.

"He won't even know you're here in the morning. Lie down." Elena obeyed, assuming a position that seemed natural to her. She lay on her back, hands folded over the diary that she held to her breast.

Damon dropped a piece of oilcloth over her, covering her bare feet.

"Go to sleep, Elena," he said.

He bent over her, and for a moment she thought he was going to… do something. Her thoughts were too muddled. But his night black eyes filled her vision. Then he pulled back, and she could breathe again. The gloom of the attic settled in on her. Her eyes drifted shut and she slept.

 

She woke slowly, assembling information about where she was, piece by piece. Somebody's attic from the looks of it. What was she doing here?

Rats or mice were scuffling somewhere among the piles of oilcloth-draped objects, but the sound didn't bother her. The faintest trace of pale light showed around the edges of the shuttered window. Elena pushed her makeshift blanket off and got up to investigate.

It was definitely someone's attic, and not that of anyone she knew. She felt as if she had been sick for a long time and had just woken up from her illness. What day is it? she wondered.

She could hear voices below her. Downstairs. Something told her to be careful and quiet. She felt afraid of making any kind of disturbance. She eased the attic door open without a sound and cautiously descended to the landing. Looking down, she could see a living room. She recognized it; she'd sat on that ottoman when Alaric Saltzman had given a party. She was in the Ramsey house.

And Alaric Saltzman was down there; she could see the top of his sandy head. His voice puzzled her. After a moment she realized it was because he didn't sound fatuous or inane or any of the ways Alaric usually sounded in class. He wasn't spouting psycho-babble, either. He was speaking coolly and decisively to two other men.

"She might be anywhere, even right under our noses. More likely outside town, though. Maybe in the woods."

"Why the woods?" said one of the men. Elena knew that voice, too, and that bald head. It was Mr. Newcastle, the high school principal.

"Remember, the first two victims were found near the woods," said the other man. Is that Dr. Feinberg? Elena thought. What's he doing here? What am I doing here?

"No, it's more than that," Alaric was saying. The other men were listening to him with respect, even with deference. "The woods are tied up in this. They may have a hiding place out there, a lair where they can go to earth if they're discovered. If there is one, I'll find it."

"Are you sure?" said Dr. Feinberg.

"I'm sure," Alaric said briefly.

"And that's where you think Elena is," said the principal. "But will she stay there? Or will she come back into town?"

"I don't know." Alaric paced a few steps and picked up a book from the coffee table, running his thumbs over it absently. "One way to find out is to watch her friends. Bonnie McCullough and that dark-haired girl, Meredith. Chances are they'll be the first ones to see her. That's how it usually happens."

"And once we do track her down?" Dr. Feinberg asked.

"Leave that to me," Alaric said quietly and grimly. He shut the book and dropped it on the coffee table with a disturbingly conclusive sound.

The principal glanced at his watch. "I'd better get moving; the service starts at ten o'clock. I presume you'll both be there?" He paused on his way to the door and looked back, his manner irresolute. "Alaric, I hope you can take care of this. When I called you in, things hadn't gone this far. Now I'm beginning to wonder—"

"I can take care of it, Brian. I told you; leave it to me. Would you rather have Robert E. Lee in all the papers, not just as the scene of a tragedy but also as 'The Haunted High School of Boone County'? A gathering place for ghouls? The school where the undead walk? Is that the kind of publicity you want?"

Mr. Newcastle hesitated, chewing his lip, then nodded, still looking unhappy. "All right, Alaric. But make it quick and clean. I'll see you at the church." He left and Dr. Fein-berg followed him.

Alaric stood there for some time, apparently staring into space. At last he nodded once and went out the front door himself.

Elena slowly trailed back up the stairs.

Now what had all that been about? She felt confused, as if she were floating loose in time and space. She needed to know what day it was, why she was here, and why she felt so frightened. Why she felt so intensely that no one must see her or hear her or notice her at all.

Looking around the attic, she saw nothing that would give her any help. Where she had been lying there were only the mattress and the oilcloth—and a little blue book.

Her diary! Eagerly, she snatched it up and opened it, skipping through the entries. They stopped with October 17; they were no help to discovering today's date. But as she looked at the writing, images formed in her mind, stringing up like pearls to make memories. Fascinated, she slowly sat down on the mattress. She leafed back to the beginning and began to read about the life of Elena Gilbert.

When she finished, she was weak with fear and horror. Bright spots danced and shimmered before her eyes. There was so much pain in these pages. So many schemes, so many secrets, so much need. It was the story of a girl who'd felt lost in her own hometown, in her own family. Who'd been looking for… something, something she could never quite reach. But that wasn't what caused this throbbing panic in her chest that drained all the energy from her body. That wasn't why she felt as if she were falling even when she sat as still as she could get. What caused the panic was that she remembered.

She remembered everything now.

The bridge, the rushing water. The terror as the air left her lungs and there was nothing but liquid to breathe. The way it had hurt. And the final instant when it had stopped hurting, when everything had stopped. When everything… stopped.

Oh, Stefan, I was so frightened, she thought. And the same fear was inside her now. In the woods, how could she have behaved like that to Stefan? How could she have forgotten him, everything he meant to her? What had made her act that way?

But she knew. At the center of her consciousness, she knew. Nobody got up and walked away from a drowning like that. Nobody got up and walked away alive.

Slowly, she rose and went to look at the shuttered window. The darkened pane of glass acted as a mirror, throwing her reflection back at her.

It was not the reflection she'd seen in her dream, where she had run down a hall of mirrors that seemed to have a life of their own. There was nothing sly or cruel about this face. Just the same, it was subtly different from what she was used to seeing. There was a pale glow to her skin and a telling hollowness about the eyes. Elena touched fingertips to her neck, on either side. This was where Stefan and Damon had each taken her blood. Had it really been enough times, and had she really taken enough of theirs in return?

It must have been. And now, for the rest of her life, for the rest of her existence, she would have to feed as Stefan did. She would have to…

She sank to her knees, pressing her forehead against the bare wood of a wall. I can't, she thought. Oh, please, I can't; I can't.







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