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Alice's Adventures in Wonderland 4 страница






Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember every having heard of such a rule at processions; “and besides, what would be the use of a procession,” thought she, “if people had all to lie down upon their faces, so that they couldn't see it?” So she stood still where she was, and waited.

When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely “Who is this?” She said it to the Knave of Hearts, who only bowed and smiled in reply.

“Idiot!” said the Queen, tossing her head impatiently; and, turning to Alice, she went on, “What's your name, child?”

“My name is Alice, so please your Majesty,” said Alice very politely; but she added, to herself, “Why, they're only a pack of cards, after all. I needn't be afraid of them!”

“And who are THESE?” said the Queen, pointing to the three gardeners who were lying round the rosetree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children.

“How should I know?” said Alice, surprised at her own courage. “It's no business of MINE.”

The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed “Off with her head! Off—”

“Nonsense!” said Alice, very loudly and decidedly, and the Queen was silent.

The King laid his hand upon her arm, and timidly said “Consider, my dear: she is only a child!”

The Queen turned angrily away from him, and said to the Knave “Turn them over!”

The Knave did so, very carefully, with one foot.

“Get up!” said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else.

“Leave off that!” screamed the Queen. “You make me giddy.” And then, turning to the rose-tree, she went on, “What HAVE you been doing here?”

“May it please your Majesty,” said Two, in a very humble tone, going down on one knee as he spoke, “we were trying—”

“I see!” said the Queen, who had meanwhile been examining the roses. “Off with their heads!” and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection.

“You shan't be beheaded!” said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others.

“Are their heads off?” shouted the Queen.

“Their heads are gone, if it please your Majesty!” the soldiers shouted in reply.

“That's right!” shouted the Queen. “Can you play croquet?”

The soldiers were silent, and looked at Alice, as the question was evidently meant for her.

“Yes!” shouted Alice.

“Come on, then!” roared the Queen, and Alice joined the procession, wondering very much what would happen next.

“It's—it's a very fine day!” said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face.

“Very,” said Alice: “—where's the Duchess?”

“Hush! Hush!” said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered “She's under sentence of execution.”

“What for?” said Alice.

“Did you say «What a pity!»?” the Rabbit asked.

“No, I didn't,” said Alice: “I don't think it's at all a pity. I said «What for?"“

“She boxed the Queen's ears—” the Rabbit began. Alice gave a little scream of laughter. “Oh, hush!” the Rabbit whispered in a frightened tone. “The Queen will hear you! You see, she came rather late, and the Queen said—”

“Get to your places!” shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches.

The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it WOULD twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed.

The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting “Off with his head!” or “Off with her head!” about once in a minute.

Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, “and then,” thought she, “what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!”

She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself “It's the Cheshire Cat: now I shall have somebody to talk to.”

“How are you getting on?” said the Cat, as soon as there was mouth enough for it to speak with.

Alice waited till the eyes appeared, and then nodded. “It's no use speaking to it,” she thought, “till its ears have come, or at least one of them.” In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared.

“I don't think they play at all fairly,” Alice began, in rather a complaining tone,” and they all quarrel so dreadfully one can't hear oneself speak—and they don't seem to have any rules in particular; at least, if there are, nobody attends to them—and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground—and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming?”

“How do you like the Queen?” said the Cat in a low voice.

“Not at all,” said Alice: “she's so extremely—” Just then she noticed that the Queen was close behind her, listening: so she went on, “—likely to win, that it's hardly worth while finishing the game.”

The Queen smiled and passed on.

“Who ARE you talking to?” said the King, going up to Alice, and looking at the Cat's head with great curiosity.

“It's a friend of mine—a Cheshire Cat,” said Alice: “allow me to introduce it.”

“I don't like the look of it at all,” said the King: “however, it may kiss my hand if it likes.”

“I'd rather not,” the Cat remarked.

“Don't be impertinent,” said the King, “and don't look at me like that!” He got behind Alice as he spoke.

“A cat may look at a king,” said Alice. “I've read that in some book, but I don't remember where.”

“Well, it must be removed,” said the King very decidedly, and he called the Queen, who was passing at the moment, “My dear! I wish you would have this cat removed!”

The Queen had only one way of settling all difficulties, great or small. “Off with his head!” she said, without even looking round.

“I'll fetch the executioner myself,” said the King eagerly, and he hurried off.

Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog.

The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree.

By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: “but it doesn't matter much,” thought Alice, “as all the arches are gone from the side of the ground.” So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend.

When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable.

The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said.

The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at HIS time of life.

The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense.

The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.)

Alice could think of nothing else to say but “It belongs to the Duchess: you'd better ask HER about it.”

“She's in prison,” the Queen said to the executioner: “fetch her here.” And the executioner went off like an arrow.

The Cat's head began fading away the moment he was gone, and, by the time he had disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game.

 

 

Chapter IX

THE MOCK TURTLE'S STORY

 

“You can't think you glad I am to see you again, you dear old thing!” said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together.

Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen.

“When I'M a Duchess,” she said to herself, (not in a very hopeful tone though), “I won't have any pepper in my kitchen AT ALL. Soup does very well without—Maybe it's always pepper that makes people hot-tempered,” she went on, very much pleased at having found out a new kind of rule, “and vinegar that makes them sour—and camomile that makes them bitter—and—and barley-sugar and such things that make children sweet-tempered. I only wish people knew that: then they wouldn't be so stingy about it, you know—”

She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. “You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit.”

“Perhaps it hasn't one,” Alice ventured to remark.

“Tut, tut, child!” said the Duchess. “Everything's got a moral, if only you can find it.” And she squeezed herself up closer to Alice's side as she spoke.

Alice did not much like keeping so close to her: first, because the Duchess was VERY ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could.

“The game's going on rather better now,” she said, by way of keeping up the conversation a little.

“'Tis so,” said the Duchess: “and the moral of that is—"Oh, 'tis love, 'tis love, that makes the world go round!"“

“Somebody said,” Alice whispered, “that it's done by everybody minding their own business!”

“Ah, well! It means much the same thing,” said the Duchess, digging her sharp little chin into Alice's shoulder as she added, “and the moral of THAT is—"Take care of the sense, and the sounds will take care of themselves."“

“How fond she is of finding morals in things!” Alice thought to herself.

“I dare say you're wondering why I don't put my arm round your waist,” the Duchess said after a pause: “the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?”

“HE might bite,” Alice cautiously replied, not feeling at all anxious to have the experiment tried.

“Very true,” said the Duchess: “flamingoes and mustard both bite. And the moral of that is—"Birds of a feather flock together."“

“Only mustard isn't a bird,” Alice remarked.

“Right, as usual,” said the Duchess: “what a clear way you have of putting things!”

“It's a mineral, I THINK,” said Alice.

“Of course it is,” said the Duchess, who seemed ready to agree to everything that Alice said; “there's a large mustard-mine near here. And the moral of that is—"The more there is of mine, the less there is of yours."“

“Oh, I know!” exclaimed Alice, who had not attended to this last remark, “it's a vegetable. It doesn't look like one, but it is.”

“I quite agree with you,” said the Duchess; “and the moral of that is—"Be what you would seem to be"—or if you'd like it put more simply—"Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise."“

“I think I should understand that better,” Alice said very politely, “if I had it written down: but I can't quite follow it as you say it.”

“That's nothing to what I could say if I chose,” the Duchess replied, in a pleased tone.

“Pray don't trouble yourself to say it any longer than that,” said Alice.

“Oh, don't talk about trouble!” said the Duchess. “I make you a present of everything I've said as yet.”

“A cheap sort of present!” thought Alice. “I'm glad they don't give birthday presents like that!” But she did not venture to say it out loud.

“Thinking again?” the Duchess asked, with another dig of her sharp little chin.

“I've a right to think” said Alice sharply, for she was beginning to feel a little worried.

“Just about as much right,” said the Duchess, “as pigs have to fly; and the m—”

But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word “moral,” and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm.

“A fine day, your Majesty!” the Duchess began in a low, weak voice.

“Now, I give you fair warning,” shouted the Queen, stamping on the ground as she spoke; “either you or your head must be off, and that in about half no time! Take your choice!”

The Duchess took her choice, and was gone in a moment.

“Let's go on with the game,” the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground.

The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives.

All the time they were playing the Queen never left off quarrelling with the other players, and shouting “Off with his head!” or “Off with her head!” Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution.

Then the Queen left off, quite out of breath, and said to Alice, “Have you seen the Mock Turtle yet?”

“No,” said Alice. “I don't even know what a Mock Turtle is.”

“It's the thing Mock Turtle Soup is made from,” said the Queen.

“I never saw one, or heard of one,” said Alice.

“Come on, then,” said the Queen, “and he shall tell you his history,”

As they walked off together, Alice heard the King say in a low voice, to the company generally, “You are all pardoned.” “Come, THAT'S a good thing!” she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered.

They very soon came upon a Gryphon, lying fast asleep in the sun. (IF you don't know what a Gryphon is, look at the picture.) “Up, lazy thing!” said the Queen, “and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered'; and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited.

The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. “What fun!” said the Gryphon, half to itself, half to Alice.

“What IS the fun?” said Alice.

“Why, SHE,” said the Gryphon. “It's all her fancy, that: they never executes nobody, you know. Come on!”

“Everybody says «come on!» here,” thought Alice, as she went slowly after it: “I never was so ordered about in all my life, never!”

They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. “What is his sorrow?” she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, “It's all his fancy, that: he hasn't got no sorrow, you know. Come on!”

So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing.

“This here young lady,” said the Gryphon, “she wants for to know your history, she do.”

“I'll tell it her,” said the Mock Turtle in a deep, hollow tone: “sit down, both of you, and don't speak a word till I've finished.”

So they sat down, and nobody spoke for some minutes. Alice thought to herself, “I don't see how he can EVEN finish, if he doesn't begin.” But she waited patiently.

“Once,” said the Mock Turtle at last, with a deep sigh, “I was a real Turtle.”

These words were followed by a very long silence, broken only by an occasional exclamation of “Hjckrrh!” from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, “Thank you, sir, for your interesting story,” but she could not help thinking there MUST be more to come, so she sat still and said nothing.

“When we were little,” the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, “we went to school in the sea. The master was an old Turtle—we used to call him Tortoise—”

“Why did you call him Tortoise, if he wasn't one?” Alice asked.

“We called him Tortoise because he taught us,” said the Mock Turtle angrily: “really you are very dull!”

“You ought to be ashamed of yourself for asking such a simple question,” added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, “Drive on, old fellow! Don't be all day about it!” and he went on in these words:

“Yes, we went to school in the sea, though you mayn't believe it—”

“I never said I didn't!” interrupted Alice.

“You did,” said the Mock Turtle.

“Hold your tongue!” added the Gryphon, before Alice could speak again. The Mock Turtle went on.

“We had the best of educations—in fact, we went to school every day—”

“I'VE been to a day-school, too,” said Alice; “you needn't be so proud as all that.”

“With extras?” asked the Mock Turtle a little anxiously.

“Yes,” said Alice, “we learned French and music.”

“And washing?” said the Mock Turtle.

“Certainly not!” said Alice indignantly.

“Ah! then yours wasn't a really good school,” said the Mock Turtle in a tone of great relief. “Now at OURS they had at the end of the bill, «French, music, AND WASHING—extra."“

“You couldn't have wanted it much,” said Alice; “living at the bottom of the sea.”

“I couldn't afford to learn it.” said the Mock Turtle with a sigh. “I only took the regular course.”

“What was that?” inquired Alice.

“Reeling and Writhing, of course, to begin with,” the Mock Turtle replied; “and then the different branches of Arithmetic— Ambition, Distraction, Uglification, and Derision.”

“I never heard of «Uglification,» Alice ventured to say. “What is it?”

The Gryphon lifted up both its paws in surprise. “What! Never heard of uglifying!” it exclaimed. “You know what to beautify is, I suppose?”

“Yes,” said Alice doubtfully: “it means—to—make—anything— prettier.”

“Well, then,” the Gryphon went on, “if you don't know what to uglify is, you ARE a simpleton.”

Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said “What else had you to learn?”

“Well, there was Mystery,” the Mock Turtle replied, counting off the subjects on his flappers, “—Mystery, ancient and modern, with Seaography: then Drawling—the Drawling-master was an old conger-eel, that used to come once a week: HE taught us Drawling, Stretching, and Fainting in Coils.”

“What was THAT like?” said Alice.

“Well, I can't show it you myself,” the Mock Turtle said: “I'm too stiff. And the Gryphon never learnt it.”

“Hadn't time,” said the Gryphon: “I went to the Classics master, though. He was an old crab, HE was.”

“I never went to him,” the Mock Turtle said with a sigh: “he taught Laughing and Grief, they used to say.”

“So he did, so he did,” said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws.

“And how many hours a day did you do lessons?” said Alice, in a hurry to change the subject.

“Ten hours the first day,” said the Mock Turtle: “nine the next, and so on.”

“What a curious plan!” exclaimed Alice.

“That's the reason they're called lessons,” the Gryphon remarked: “because they lessen from day to day.”

This was quite a new idea to Alice, and she thought it over a little before she made her next remark. “Then the eleventh day must have been a holiday?”

“Of course it was,” said the Mock Turtle.

“And how did you manage on the twelfth?” Alice went on eagerly.

“That's enough about lessons,” the Gryphon interrupted in a very decided tone: “tell her something about the games now.”

 

Chapter X

THE LOBSTER QUADRILLE

 

The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. “Same as if he had a bone in his throat,” said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:—

“You may not have lived much under the sea—” (I haven't,” said Alice)—`and perhaps you were never even introduced to a lobster- -” (Alice began to say “I once tasted—” but checked herself hastily, and said “No, never') “—so you can have no idea what a delightful thing a Lobster Quadrille is!”

“No, indeed,” said Alice. “What sort of a dance is it?”

“Why,” said the Gryphon, “you first form into a line along the sea-shore—”

“Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way—”

“THAT generally takes some time,” interrupted the Gryphon.

“—you advance twice—”

“Each with a lobster as a partner!” cried the Gryphon.

“Of course,” the Mock Turtle said: “advance twice, set to partners—”

“—change lobsters, and retire in same order,” continued the Gryphon.

“Then, you know,” the Mock Turtle went on, “you throw the—”

“The lobsters!” shouted the Gryphon, with a bound into the air.

“—as far out to sea as you can—”

“Swim after them!” screamed the Gryphon.

“Back to land again, and that's all the first figure,” said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.

“It must be a very pretty dance,” said Alice timidly.

“Would you like to see a little of it?” said the Mock Turtle.

“Very much indeed,” said Alice.

“Come, let's try the first figure!” said the Mock Turtle to the Gryphon. “We can do without lobsters, you know. Which shall sing?”

“Oh, YOU sing,” said the Gryphon. “I've forgotten the words.”

So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:—

“"Will you walk a little faster?» said a whiting to a snail. «There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle—will you come and join the dance?

Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?

«You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to

sea!» But the snail replied «Too far, too far!» and gave a look

askance— Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join

the dance. Would not, could not, would not, could not, could not join

the dance.

“"What matters it how far we go?» his scaly friend replied. «There is another shore, you know, upon the other side. The further off from England the nearer is to France— Then turn not pale, beloved snail, but come and join the dance.

Will you, won't you, will you, won't you, will you join the

dance? Will you, won't you, will you, won't you, won't you join the

dance?"“

“Thank you, it's a very interesting dance to watch,” said Alice, feeling very glad that it was over at last: “and I do so like that curious song about the whiting!”

“Oh, as to the whiting,” said the Mock Turtle, “they—you've seen them, of course?”

“Yes,” said Alice, “I've often seen them at dinn—” she checked herself hastily.

“I don't know where Dinn may be,” said the Mock Turtle, “but if you've seen them so often, of course you know what they're like.”

“I believe so,” Alice replied thoughtfully. “They have their tails in their mouths—and they're all over crumbs.”

“You're wrong about the crumbs,” said the Mock Turtle: “crumbs would all wash off in the sea. But they HAVE their tails in their mouths; and the reason is—” here the Mock Turtle yawned and shut his eyes.—`Tell her about the reason and all that,” he said to the Gryphon.

“The reason is,” said the Gryphon, “that they WOULD go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all.”

“Thank you,” said Alice, “it's very interesting. I never knew so much about a whiting before.”

“I can tell you more than that, if you like,” said the Gryphon. “Do you know why it's called a whiting?”







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Гидравлический расчёт трубопроводов Пример 3.4. Вентиляционная труба d=0,1м (100 мм) имеет длину l=100 м. Определить давление, которое должен развивать вентилятор, если расход воздуха, подаваемый по трубе, . Давление на выходе . Местных сопротивлений по пути не имеется. Температура...

Огоньки» в основной период В основной период смены могут проводиться три вида «огоньков»: «огонек-анализ», тематический «огонек» и «конфликтный» огонек...

Упражнение Джеффа. Это список вопросов или утверждений, отвечая на которые участник может раскрыть свой внутренний мир перед другими участниками и узнать о других участниках больше...

Конституционно-правовые нормы, их особенности и виды Характеристика отрасли права немыслима без уяснения особенностей составляющих ее норм...

Толкование Конституции Российской Федерации: виды, способы, юридическое значение Толкование права – это специальный вид юридической деятельности по раскрытию смыслового содержания правовых норм, необходимый в процессе как законотворчества, так и реализации права...

Значення творчості Г.Сковороди для розвитку української культури Важливий внесок в історію всієї духовної культури українського народу та її барокової літературно-філософської традиції зробив, зокрема, Григорій Савич Сковорода (1722—1794 pp...

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