Nineteenth centuryBecause Austen's novels failed to conform to Romantic and Victorian expectations that "powerful emotion [be] authenticated by an egregious display of sound and colour in the writing",[101] 19th-century critics and audiences generally preferred the works of Charles Dickens and George Eliot.[102] Though Austen's novels were republished in Britain beginning in the 1830s and remained steady sellers, they were not bestsellers.[103] One of the first two published illustrations of Pride and Prejudice, from the Richard Bentley edition.[104] Caption reads: "She then told him [Mr Bennett] what Mr Darcy had voluntarily done for Lydia. He heard her with astonishment." Austen had many admiring readers in the 19th century who considered themselves part of a literary elite: they viewed their appreciation of Austen's works as a mark of their cultural taste. Philosopher and literary critic George Henry Lewes expressed this viewpoint in a series of enthusiastic articles published in the 1840s and 1850s.[105] This theme continued later in the century with novelist Henry James, who referred to Austen several times with approval and on one occasion ranked her with Shakespeare, Cervantes, and Henry Fielding as among "the fine painters of life".[106] The publication of James Edward Austen-Leigh's A Memoir of Jane Austen in 1869 introduced Austen to a wider public as "dear aunt Jane", the respectable maiden aunt. Publication of the Memoir spurred the reissue of Austen's novels—the first popular editions were released in 1883 and fancy illustrated editions and collectors' sets quickly followed.[107] Author and critic Leslie Stephen described the popular mania that started to develop for Austen in the 1880s as "Austenolatry".[108] Around the turn of the century, members of the literary elite reacted against the popularization of Austen. They referred to themselves as Janeites in order to distinguish themselves from the masses who did not properly understand her works.[109] For example, James responded negatively to what he described as "a beguiled infatuation" with Austen, a rising tide of public interest that exceeded Austen's "intrinsic merit and interest".[110] During the last quarter of the 19th century, the first books of criticism on Austen were published. In fact, after the publication of the Memoir, more criticism was published on Austen in two years than had appeared in the previous fifty.[111]
Jane Austen A Biography by Jane Johnson "Novels... performances which have only genius, wit and taste to recommend them" Jane Austen (Northanger Abbey, Published 1818) Jane Austen was born in the village of Steventon, Hampshire in 1775, within five years of Wordsworth and Scott. She was the seventh of eight children. Her father, George, had been a Fellow of St. John's College, Oxford and lately Rector of Steventon. Her mother, Cassandra, nee Leigh, came from an ancient family, linked to the Leighs of Stonehill Abbey in Warwickshire. Jane and her sister, also Cassandra, were sent to school in Oxford and Southampton, before attending the Abbey School in Reading, and were encouraged to write from an early age. Jane started writing novels in 1790, at the age of only 14, while she was living in Steventon, although her first novel to be published, Sense and Sensibility, did not appear until 1811. Although her early life appeared secure enough, it was touched by tragedy. Her cousin, Eliza Hancock, married a French nobleman, who was arrested and guillotined on his return to Paris soon after the French Revolution. Her aunt, Mrs. Leigh Perrot, was arrested when falsely accused of stealing a card of lace, and suffered eight months imprisonment with the threat of the death penalty, before she was able to prove her innocence. On her father's retirement, in 1801, the family moved to Bath. Jane's years at Bath were not happy. The family made acquaintances, but few friends. Their stay at Bath was broken up by annual excursions to the seaside: to Sidmouth, Dawlish and Lyme Regis. As was the custom, the sons of the family pursued careers (two of Jane's brothers joined the Navy), while the daughters stayed at home, awaiting marriage and involving themselves with domestic affairs. A neighbour from their Hampshire days, Harris Bigg-Wither of Manydown Park (Wootton St. Lawrence) asked Jane to marry him in the Winter of 1802. Though she initially accepted, a sleepless night saw the poor man turned down the following morning. In several of Jane's letters from Bath to her sister, Cassandra, one senses her frustration at this sheltered existence. Tuesday, 12 May 1801. "Another stupid party...with six people to look on, and talk nonsense to each other". Some time after the death of Jane's father in 1805, the family left Bath to stay with Jane's brother, Frank, who was stationed at the Naval Dockyard, in Southampton. Jane's brother, Edward, had been formally adopted by a rich and childless relative, which led to his elevation as a country gentleman. Cassandra had been sent to assist with his domestic arrangements at Godmersham Park, near Canterbury. He also owned Chawton House, Hampshire and in 1809 offered a home to his mother and sisters on the estate there. The family settled happily and it was here that Jane was to enjoy the success of the publication of her first novel. Initially, the secret of their authorship was kept, the author being referred to only as "a lady", but later, her proud brother, Henry, let it be known and she became instantly famous. Her last completed novel, Persuasion, was not published until after her death. By the time of its completion, she was seriously ill and not expected to live. During the last few weeks of her life, she lived in College Street, Winchester, to be close to her physician. She died in Cassandra's arms in Winchester at the age of 41. The family exercised the right, as members of a clergyman's family, that she should be buried in Winchester Cathedral. Today, the museum at Chawton is visited by Jane Austen admirers from across the Globe. There are many mementoes of her life on display. Jane's mother and her beloved sister, Cassandra are buried in the churchyard.
Jane Austen started to write at a time when the Romantic Movement was expressing its passionate involvement with the landscape, in particular, the melancholic aspects of gothic ruins, and the natural world in general. She was one of the few writers to adopt an irreverent attitude to this obsession. Edward Ferrars, speaking to the impressionable Marianne, in "Sense and Sensibility", admits his confusion when attempting to describe a picturesque landscape and when Henry Tilney decides to lecture on the picturesque to Catherine, in "Northanger Abbey," she"was so hopeful a scholar that when they gained the top of Beechen Cliff, she voluntarily rejected the whole city of Bath, as unworthy to make part of a landscape". In many ways, Jane Austen's detached, ironic style was an antithesis of the Romantic ideal. Many people have commented on the modernity of her novels. Elizabeth Bowen in English Novelists (Collins, 1946), suggests this comment is "an agreeable way of saying that she is still some distance ahead of us". She followed in the wake of the success of Fielding and Richardson and her sense of comedy and style has been likened to that of Fielding. She is noted for the precision of her observations. Her attention to detail is a means to enlighten a subject. As Elizabeth Bowen notes, "she applies big truths to little scenes". Copyright ©1996, 1997, 1998, 1999 Britannia Internet Magazine. Jane Austen began her second novel, Pride and Prejudice, before she was twenty-one. It was originally titled First Impression because the appearances of the characters created the plot of the novel. However, because the novel is also concerned with the effects of the character’s first impressions, that is their prejudice, Austen found the title Pride and Prejudice more appropriate. Pride and Prejudice, similar to other Austen novels, is written in gentle or Horacian satire. The main object of Austen’s satire in the novel is the mercenary and the ignorance of the people, a common criticism of the 18th century. Characters in the novel which best carries these qualities are: Mrs. Bennet, a foolish woman who talks too much and is obsessed with getting her daughters married; The tone of the novel is light, satirical, and vivid. Scenes such as Mr. Collins proposal to Elizabeth, and Lady Catherine visits to Lizzy at Longbourn, provides comic relief to the reader while at the same time revealing certain traits of the characters. For example, Lydia’s lack of common sense and responsibility is revealed when she takes pride in being the first Bennet girl to be married. Lydia does not take into consideration the circumstance of her marriage, the personality of her husband, or the prospects of their marriage for the future. Elizabeth Bennet’s ability to laugh off her misfortune and to continue to be optimistic, considering her situation, also contributes to the tone of the novel. The point of view in Pride and Prejudice is limited omniscient; the story is told through Elizabeth, but not in first person. As a result, the mood of the novel lacks dramatic emotions. The atmosphere is intellectual and cold; there are little descriptions of the setting. The main actions of the novel are the interactions between opinions, ideas, and attitudes, which weaves and advances the plot of the novel. The emotions in the novel are to be perceived beneath the surface of the story and are not to be expressed to the readers directly. Austen’s powers of subtle discrimination and shrewd perceptiveness is revealed in Pride and Prejudice; she is able to convey such a complex message using a simple, yet witty, style. The main subject in the novel is stated in the first sentence of the novel: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this statement, Austen has cleverly done three things: she has declared that the main subject of the novel will be courtship and marriage, she has established the humorous tone of the novel by taking a simple subject to elaborate and to speak intelligently of, and she has prepared the reader for a chase in the novel of either a husband in search of a wife, or a women in pursuit of a husband. The first line also defines Austen's book as a piece of literature that connects itself to the 18th century period. Pride and Prejudice is 18th century because of the emphasis on man in his social environment rather than in his individual conditions. The use of satire and wit, a common form of 18th century literature, also contributes to label the book as 18th century. However, because Austen had allowed personal feelings of the characters to be expressed in her work, she can also be classified as Romantic. In the figure of Elizabeth, Austen shows passion attempting to find a valid mode of existence in society. Passion and reason also comes together in the novel to show that they are complementary of marriage. There are seven different marriages presented in the novel. Excluding the Gardiner and the Lucas, the remaining five marriages contrasts each other to reveal Austen’s opinions and thoughts on the subject of marriage. The marriage between Darcy and Elizabeth reveals the characteristics that constitute a successful marriage. One of these characteristics is that the feeling cannot be brought on by appearances, and must gradually develop between the two people as they get to know one another. In the beginning, Elizabeth and Darcy were distant from each other because of their prejudice. The series of events which they both experienced gave them the opportunity to understand one another and the time to reconcile their feelings for each other. Thus, their mutual understanding is the foundation of their relationship and will lead them to a peaceful and lasting marriage. This relationship between Elizabeth and Darcy reveals the importance of getting to know one’s partner before marrying. The marriage between Jane Bennet and Bingley is also an example of successful marriage. Austen, through Elizabeth, expresses her opinion of this in the novel: "....really believed all his [Bingley] expectations of felicity, to be rationally founded, because they had for basis the excellent understanding, and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself." (Chapter 55) However, unlike Darcy and Elizabeth, there is a flaw in their relationship. The flaw is that both characters are too gullible and too good-hearted to ever act strongly against external forces that may attempt to separate them: "You [Jane and Bingley] are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income." (Chapter 55) Obviously, Lydia and Wickham’s marriage is an example of a bad marriage. Their marriage was based on appearances, good looks, and youthful vivacity. Once these qualities can no longer be seen by each other, the once strong relationship will slowly fade away. As in the novel, Lydia and Wickham’s marriage gradually disintegrates; Lydia becomes a regular visitor at her two elder sister’s home when "her husband was gone to enjoy himself in London or Bath." Through their relationship, Austen shows that hasty marriage based on superficial qualities quickly cools and leads to unhappiness. Although little is told of how Mr. Bennet and Mrs. Bennet got together, it can be inferred by their conversions that their relationship was similar to that of Lydia and Wickham--Mr. Bennet had married a woman he found sexually attractive without realizing she was an unintelligent woman. Mrs. Bennet’s favoritism towards Lydia and her comments on how she was once as energetic as Lydia reveals this similarity. Mr. Bennet’s comment on Wickham being his favorite son-in-law reinforces this parallelism. The effect of the relationships was that Mr. Bennet would isolate himself from his family; he found refuge in his library or in mocking his wife. Mr. Bennet’s self-realization at the end of the novel in which he discovers that his lack of attention towards his family had led his family to develop the way they are, was too late to save his family. He is Austen’s example of a weak father. In these two latter relationships, Austen shows that it is necessary to use good judgement to select a spouse, otherwise the two people will lose respect for each other. The last example of a marriage is of a different nature than the ones mentioned above. The marriage between Mr. Collins and Charlotte is based on economics rather than on love or appearance. It was a common practice during Austen’s time for women to marry a husband to save herself from spinsterhood or to gain financial security. In Pride and Prejudice, Austen dramatizes gender inequality and shows that women who submit themselves to this type of marriage will have to suffer in tormenting silence as Charlotte does: "When Mr. Collins said any thing of which his wife might reasonably be ashamed, which certainly was not unseldom, she [Elizabeth] would involuntarily turned her eye on Charlotte. Once or twice she could discern a faint blush; but in general Charlotte wisely did not hear." (Chapter 28) These five marriages contribute to the theme that a happy and strong marriage takes time to build and must be based on mutual feeling, understanding, and respect. Hasty marriages acting on impulse, and based on superficial qualities will not survive and will lead to inevitable unhappiness. In Pride and Prejudice, Austen has denounced the elements of marriage and society that she found distasteful. These are the conclusions of her observation of the people in her world. However in her writing, Jane has also reflected her own enjoyment in life among these people with and without their faults.
-- What does Ms. Austen try to tell me? That pride and prejudice are bad habits that interfere with personal relationships? Yes, but that is not new. Plenty of warnings against these social evils can be found in the world's great and small religious teachings. Ms. Austin deftly employs some of our shortcomings to give me a sketch of some of English society of her time without moralizing. Ask me what I think makes this work so enduring and I will answer: "it is so entertaining". I am certain that Ms. Austin wants her readers to experience a broad range of genuine emotions and she has succeeded with me. I can imagine the "oh no!" of her first female readers when they found that Lydia Bennett had eloped with Mr. Wickham. There are numerous scenes in the novel which we would name "situation comedy" today. If these were turned into TV series the producers would lard them with artificial laughter because Ms. Austen wanted her readers to snicker if not laugh often. It begins on page 1 of the novel when Mr. Bennett asks the immortal question whether Mr. Bingley has rented his estate expressly to hook one of the Bennett girls. Allow me a comment on the name Darcy which is of French origin and means that this old aristocratic family came from the town of Arcy (stress on the last syllable). We know how that family came to England. When William the Conqueror crossed the English Channel there was a well-known D'Arcy in his retinue. That Darcy remained in England.--Submitted by Dieter Heymann.
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