Студопедия Главная Случайная страница Обратная связь

Разделы: Автомобили Астрономия Биология География Дом и сад Другие языки Другое Информатика История Культура Литература Логика Математика Медицина Металлургия Механика Образование Охрана труда Педагогика Политика Право Психология Религия Риторика Социология Спорт Строительство Технология Туризм Физика Философия Финансы Химия Черчение Экология Экономика Электроника

Chapter Six 6 страница





"Show's on," he said, and crouched in the shadows.

 

Elena moved from room to room, troubleshooting. In years before, she had enjoyed this part of the night the most, watching the gruesome scenes being acted out and the delicious terror of the visitors, but tonight there was a feeling of dread and tension underlying all her thoughts. Tonight's the night, she thought again, and the ice in her chest seemed to thicken.

A Grim Reaper—or at least that was what she supposed the hooded figure in black robes was—passed by her, and she found herself absent-mindedly trying to remember if she had seen it at any of the Halloween parties. There was something familiar about the way the figure moved.

 

Bonnie exchanged a harassed smile with the tall, slender witch who was directing traffic into the Spider Room. Several junior high boys were slapping at the dangling rubber spiders and shouting and generally making a nuisance of themselves. Bonnie hustled them on into the Druid Room.

Here the strobe lights gave the scene a dreamlike quality. Bonnie felt a grim triumph to see Mr. Tanner stretched out on the stone altar, his white robes heavily stained with blood, his eyes glaring at the ceiling.

"Cool!" shouted one of the boys, racing up to the altar. Bonnie stood back and grinned, waiting for the bloody sacrifice to rear up and scare the wits out of the kid.

But Mr. Tanner didn't move, even when the boy plunged a hand into the pool of blood by the sacrifice's head.

That's strange, Bonnie thought, hurrying up to prevent the kid from grabbing the sacrificial knife.

"Don't do that," she snapped, so he held up his gory hand instead, and it showed red in every sharp flash of the strobe. Bonnie felt a sudden irrational fear that Mr. Tanner was going to wait until she bent over him and then make her jump. But he just kept staring at the ceiling.

"Mr. Tanner, are you okay? Mr. Tanner? Mr. Tanner!"

Not a movement, not a sound. Not a flicker of those wide white eyes. Don't touch him, something in Bonnie's mind told her suddenly and urgently. Don't touch him don't touch him don't touch…

Under the strobe lights she saw her own hand move forward, saw it grasp Mr. Tanner's shoulder and shake it, saw his head flop bonelessly toward her. Then she saw his throat.

Then she began to scream.

 

Elena heard the screams. They were shrill and sustained and unlike any other sounds in the Haunted House, and she knew at once that they were no joke.

Everything after that was a nightmare.

Reaching the Druid Room at a run, she saw a tableau, but not the one prepared for visitors. Bonnie was screaming, Meredith holding her shoulders. Three young boys were trying to get out of the curtained exit, and two bouncers were looking in, blocking their way. Mr. Tanner was lying on the stone altar, sprawled out, and his face…

"He's dead," Bonnie was sobbing, the screams turning into words. "Oh, God, the blood's real, and he's dead. I touched him, Elena, and he's dead, he's really dead…"

People were coining into the room. Someone else began screaming and it spread, and then everyone was trying to get out, pushing each other in panic, knocking into the partitions.

"Get the lights on!" Elena shouted, and heard the shout taken up by others. "Meredith, quick, get to a phone in the gym and call an ambulance, call the police… Get those lights on!"

When the lights snapped on, Elena looked around, but she could see no adults, no one entitled to take charge of the situation. Part of her was ice-cold, her mind racing as it tried to think what to do next. Part of her was simply numb with horror. Mr. Tanner… She had never liked him, but somehow that only made it worse.

"Get all the kids out of here. Everybody but staff out," she said.

"No! Shut the doors! Don't let anybody out until the police get here," shouted a werewolf beside her, taking off his mask. Elena turned in astonishment at the voice and saw that it was not Matt, it was Tyler Smallwood.

He'd been allowed back in school only this week, and his face was still discolored from the beating he had taken at Stefan's hands. But his voice had the ring of authority, and Elena saw the bouncers close the exit door. She heard another door close across the gym.

Of the dozen or so people crowded into the Stonehenge area, Elena recognized only one as a worker. The rest were people she knew from school, but none she knew well. One of them, a boy dressed as a pirate, spoke to Tyler.

"You mean… you think somebody in here did it?"

"Somebody in here did it, all right," said Tyler. There was a queer, excited sound to his voice, as if he were almost enjoying this. He gestured to the pool of blood on the rock. "That's still liquid; it can't have happened too long ago. And look at the way his throat's cut. The killer must have done it with that. " He pointed to the sacrificial knife.

"Then the killer might be here right now," whispered a girl in a kimono.

"And it's not hard to guess who it is," said Tyler. "Somebody who hated Tanner, who was always getting in arguments with him. Somebody who was arguing with him earlier tonight. I saw it."

So you were the werewolf in this room, thought Elena dazedly. But what were you doing here in the first place? You're not on staff.

"Somebody who has a history of violence," Tyler was continuing, his lips drawing back from his teeth. "Somebody who, for all we know, is a psychopath who came to Fell's Church just to kill."

"Tyler, what are you talking about?" Elena's dazed feeling had burst like a bubble. Furious, she stepped toward the tall, husky boy. "You're crazy!"

He gestured at her without looking at her. "So says his girlfriend—but maybe she's a little prejudiced."

"And maybe you're a little prejudiced, Tyler," said a voice from behind the crowd, and Elena saw a second werewolf pushing his way into the room. Matt.

"Oh, yeah? Well, why don't you tell us what you know about Salvatore? Where does he come from? Where's his family? Where did he get all that money?" Tyler turned to address the rest of the crowd. "Who knows anything about him?"

People were shaking their heads. Elena could see, in face after face, distrust blossoming. The distrust of anything unknown, anything different. And Stefan was different. He was the stranger in their midst, and just now they needed a scapegoat.

The girl in the kimono began, "I heard a rumor—"

"That's all anybody's heard, rumors!" Tyler said. "No one really knows a thing about him. But there's one thing I do know. The attacks in Fell's Church started the first week of school— which was the week Stefan Salvatore came. "

There was a swelling murmur at this, and Elena herself felt a shock of realization. Of course, it was all ridiculous, it was just a coincidence. But what Tyler was saying was true. The attacks had started when Stefan arrived.

"I'll tell you something else," shouted Tyler, gesturing at them to be quiet. "Listen to me! I'll tell you something else!" He waited until everyone was looking at him and then said slowly, impressively, "He was in the cemetery the night Vickie Bennett was attacked."

"Sure he was in the cemetery—rearranging your face," said Matt, but his voice lacked its usual strength. Tyler grabbed the comment and ran with it.

"Yes, and he almost killed me. And tonight somebody did kill Tanner. I don't know what you think, but I think he did it. I think he's the one!"

"But where is he?" shouted someone from the crowd.

Tyler looked around. "If he did it, he must still be here," he shouted. "Let's find him."

"Stefan hasn't done anything! Tyler—" cried Elena, but the noise from the crowd overrode her. Tyler's words were being taken up and repeated. Find him… find him... find him. Elena heard it pass from person to person. And the faces in the Stonehenge Room were filled with more than distrust now; Elena could see anger and a thirst for vengeance in them, too. The crowd had turned into something ugly, something beyond controlling.

"Where is he, Elena?" said Tyler, and she saw the blazing triumph in his eyes. He was enjoying this.

"I don't know," she said fiercely, wanting to hit him.

"He must still be here! Find him!" someone shouted, and then it seemed everyone was moving, pointing, pushing, at once. Partitions were being knocked down and shoved aside.

Elena's heart was pounding. This was no longer a crowd; it was a mob. She was terrified of what they would do to Stefan if they did find him. But if she tried to go warn him, she would lead Tyler right to him.

She looked around desperately. Bonnie was still staring into Mr. Tanner's dead face. No help there. She turned to scan the crowd again, and her eyes met Matt's.

He was looking confused and angry, his blond hair ruffled up, cheeks flushed and sweaty. Elena put all her strength of will into a look of pleading.

Please, Matt, she thought. You can't believe all this. You know it isn't true.

But his eyes showed that he didn't know. There was a tumult of bewilderment and agitation in them.

Please, thought Elena, gazing into those blue eyes, willing him to understand. Oh, please, Matt, only you can save him. Even if you don't believe, please try to trust… please…

She saw the change come over his face, the confusion lifting as grim determination appeared. He stared at her another moment, eyes boring into hers, and nodded once. Then he turned and slipped into the milling, hunting crowd.

 

Matt knifed through the crowd cleanly until he got to the other side of the gym. There were some freshmen standing near the door to the boys' locker room; he brusquely ordered them to start moving fallen partitions, and when their attention was distracted he jerked the door open and ducked inside.

He looked around quickly, unwilling to shout. For that matter, he thought, Stefan must have heard all the racket going on in the gym. He'd probably already cut out. But then Matt saw the black-clad figure on the white tile floor.

"Stefan! What happened?" For a terrible instant, Matt thought he was looking down on a second dead body. But as he knelt by Stefan's side, he saw movement.

"Hey, you're okay, just sit up slowly… easy. Are you all right, Stefan?"

"Yes," said Stefan. He didn't look okay, Matt thought. His face was dead white and his pupils were dilated hugely. He looked disoriented and sick. "Thank you," he said.

"You may not thank me in a minute. Stefan, you've got to get out of here. Can't you hear them? They're after you."

Stefan turned toward the gym, as if listening. But there was no comprehension on his face. "Who's after me? Why?"

"Everybody. It doesn't matter. What matters is that you've got to get out before they come in here." As Stefan continued simply to stare blankly, he added, "There's been another attack, this time on Tanner, Mr. Tanner. He's dead, Stefan, and they think you did it. "

Now, at last, he saw understanding come to Stefan's eyes. Understanding and horror and a kind of resigned defeat that was more frightening than anything Matt had seen tonight. He gripped Stefan's shoulder hard.

"I know you didn't," he said, and at that moment it was true. "They'll realize that, too, when they can think again. But meanwhile, you'd better get out."

"Get out… yes," said Stefan. The look of disorientation was gone, and there was a searing bitterness in the way he pronounced the words. "I will… get out."

"Stefan…"

"Matt." The green eyes were dark and burning, and Matt found he could not look away from them. "Is Elena safe? Good. Then, take care of her. Please."

"Stefan, what are you talking about? You're innocent; this will all blow over…"

"Just take care of her, Matt."

Matt stepped back, still looking into those compelling green eyes. Then, slowly, he nodded.

"I will," he said quietly. And watched Stefan go.

Chapter Thirteen

Elena stood within the circle of adults and police, waiting for a chance to escape. She knew that Matt had warned Stefan in time—his face told her that—but he hadn't been able to get close enough to speak with her.

At last, with all attention turned toward the body, she detached herself from the group and edged toward Matt.

"Stefan got out all right," he said, his eyes on the group of adults. "But he told me to take care of you, and I want you to stay here."

"To take care of me?" Alarm and suspicion flashed through Elena. Then, almost in a whisper, she said, "I see." She thought a moment and then spoke carefully. "Matt, I need to go wash my hands. Bonnie got blood on me. Wait here; I'll be back."

He started to say something in protest, but she was already moving away. She held up her stained hands in explanation as she reached the door of the girls' locker room, and the teacher who was now standing there let her through. Once in the locker room, however, she kept on going, right out the far door and into the darkened school. And from there, into the night.

 

Zuccone! Stefan thought, grabbing a bookcase and flinging it over, sending its contents flying. Fool! Blind, hateful fool. How could he have been so stupid?

Find a place with them here? Be accepted as one of them? He must have been mad to have thought it was possible.

He picked up one of the great heavy trunks and threw it across the room, where it crashed against the far wall, splintering a window. Stupid, stupid.

Who was after him? Everybody. Matt had said it. " There's been another attack… They think you did it. "

Well, for once it looked as if the barbari, the petty living humans with their fear of anything unknown, were right. How else did you explain what had happened? He had felt the weakness, the spinning, swirling confusion; and then darkness had taken him. When he'd awakened it was to hear Matt saying that another human had been pillaged, assaulted. Robbed this time not only of his blood, but of his life. How did you explain that unless he, Stefan, were the killer?

A killer was what he was. Evil. A creature born in the dark, destined to live and hunt and hide there forever. Well, why not kill, then? Why not fulfill his nature? Since he could not change it, he might as well revel in it. He would unleash his darkness upon this town that hated him, that hunted him even now.

But first… he was thirsty. His veins burned like a network of dry, hot wires. He needed to feed… soon… now.

 

The boarding house was dark. Elena knocked at the door but received no answer. Thunder cracked overhead. There was still no rain.

After the third barrage of knocking, she tried the door, and it opened. Inside, the house was silent and pitch black. She made her way to the staircase by feel and went up it.

The second landing was just as dark, and she stumbled, trying to find the bedroom with the stairway to the third floor. A faint light showed at the top of the stairs, and she climbed toward it, feeling oppressed by the walls, which seemed to close in on her from either side.

The light came from beneath the closed door. Elena tapped on it lightly and quickly. "Stefan," she whispered, and then she called more loudly, "Stefan, it's me."

No answer. She grasped the knob and pushed the door open, peering around the side. "Stefan—"

She was speaking to an empty room.

And a room filled with chaos. It looked as if some great wind had torn through, leaving destruction in its path. The trunks that had stood in corners so sedately were lying at grotesque angles, their lids gaping open, their contents strewn about the floor. One window was shattered. All Stefan's possessions, all the things he had kept so carefully and seemed to prize, were scattered like rubbish.

Terror swept through Elena. The fury, the violence in this scene of devastation were painfully clear, and they made her feel almost giddy. Somebody who has a history of violence, Tyler had said.

I don't care, she thought, anger surging up to push back the fear. I don't care about anything, Stefan; I still want to see you. But where are you?

The trapdoor in the ceiling was open, and cold air was blowing down. Oh, thought Elena, and she had a sudden chill of fear. That roof was so high…

She'd never climbed the ladder to the widow's walk before, and her long skirt made it difficult. She emerged through the trapdoor slowly, kneeling on the roof and then standing up. She saw a dark figure in the corner, and she moved toward it quickly.

"Stefan, I had to come—" she began, and broke off short, because a flash of lightning lit the sky just as the figure in the corner whirled around. And then it was as if every foreboding and fear and nightmare she'd ever had were coming true all at once. It was beyond screaming at; it was beyond anything.

Oh, God… no. Her mind refused to make sense of what her eyes were seeing. No. No. She wouldn't look at this, she wouldn't believe it…

But she could not help seeing. Even if she could have shut her eyes, every detail of the scene was etched upon her memory. As if the flash of lightning had seared it onto her brain forever.

Stefan. Stefan, so sleek and elegant in his ordinary clothes, in his black leather jacket with the collar turned up. Stefan, with his dark hair like one of the roiling storm clouds behind him. Stefan had been caught in that flash of light, half turned toward her, his body twisted into a bestial crouch, with a snarl of animal fury on his face.

And blood. That arrogant, sensitive, sensual mouth was smeared with blood. It showed ghastly red against the pallor of his skin, against the sharp whiteness of his bared teeth. In his hands was the limp body of a mourning dove, white as those teeth, wings outspread. Another lay on the ground at his feet, like a crumpled and discarded handkerchief.

"Oh, God, no," Elena whispered. She went on whispering it, backing away, scarcely aware that she was doing either. Her mind simply could not cope with this horror; her thoughts were running wildly in panic, like mice trying to escape a cage. She wouldn't believe this, she wouldn't believe. Her body was filled with unbearable tension, her heart was bursting, her head reeling.

"Oh, God, no—"

"Elena!" More terrible than anything else was this, to see Stefan looking at her out of that animal face, to see the snarl changing into a look of shock and desperation. "Elena, please. Please, don't…"

"Oh, God, no!" The screams were trying to rip their way out of her throat. She backed farther away, stumbling, as he took a step toward her. "No!"

"Elena, please—be careful—" That terrible thing, the thing with Stefan's face, was coming after her, green eyes burning. She flung herself backward as he took another step, his hand outstretched. That long, slender-fingered hand that had stroked her hair so gently—

"Don't touch me!" she cried. And then she did scream, as her motion brought her back against the iron railing of the widow's walk. It was iron that had been there for nearly a century and a half, and in places it was nearly rusted through. Elena's panicked weight against it was too much, and she felt it give way. She heard the tearing sound of overstressed metal and wood mingling with her own shriek. And then there was nothing behind her, nothing to grab on to, and she was falling.

In that instant, she saw the seething purple clouds, the dark bulk of the house beside her. It seemed that she had enough time to see them clearly, and to feel an infinity of terror as she screamed and fell, and fell.

But the terrible, shattering impact never came. Suddenly there were arms around her, supporting her in the void. There was a dull thud and the arms tightened, weight giving against her, absorbing the crash. Then all was still.

She held herself motionless within the circle of those arms, trying to get her bearings. Trying to believe yet another unbelievable thing. She had fallen from a three-story roof, and yet she was alive. She was standing in the garden behind the boarding house, in the utter silence between claps of thunder, with fallen leaves on the ground where her broken body should be.

Slowly, she brought her gaze upward to the face of the one who held her. Stefan.

There had been too much fear, too many blows tonight. She could react no longer. She could only stare up at him with a kind of wonder.

There was such sadness in his eyes. Those eyes that had burned like green ice were now dark and empty, hopeless. The same look that she'd seen that first night in his room, only now it was worse. For now there was self-hatred mixed with the sorrow, and bitter condemnation. She couldn't bear it.

"Stefan," she whispered, feeling that sadness enter her own soul. She could still see the tinge of red on his lips, but now it awakened a thrill of pity along with the instinctive horror. To be so alone, so alien and so alone…

"Oh, Stefan," she whispered.

There was no answer in those bleak, lost eyes. "Come," he said quietly, and led her back toward the house.

 

Stefan felt a rush of shame as they reached the third story and the destruction that was his room. That Elena, of all people, should see this was insupportable. But then, perhaps it was also fitting that she should see what he truly was, what he could do.

She moved slowly, dazedly to the bed and sat. Then she looked up at him, her shadowed eyes meeting his. "Tell me," was all she said.

He laughed shortly, without humor, and saw her flinch. It made him hate himself more. "What do you need to know?" he said. He put a foot on the lid of an overturned trunk and faced her almost defiantly, indicating the room with a gesture. "Who did this? I did."

"You're strong," she said, her eyes on a capsized trunk. Her gaze lifted upward, as if she were remembering what had happened on the roof. "And quick."

"Stronger than a human," he said, with deliberate emphasis on the last word. Why didn't she cringe from him now, why didn't she look at him with the loathing he had seen before? He didn't care what she thought any longer. "My reflexes are faster, and I'm more resilient. I have to be. I'm a hunter," he said harshly.

Something in her look made him remember how she had interrupted him. He wiped his mouth with the back of his hand, then went quickly to pick up a glass of water that stood unharmed on the nightstand. He could feel her eyes on him as he drank it and wiped his mouth again. Oh, he still cared what she thought, all right.

"You can eat and drink… other things," she said.

"I don't need to," he said quietly, feeling weary and subdued. "I don't need anything else." He whipped around suddenly and felt passionate intensity rise in him again. "You said I was quick—but that's just what I'm not. Have you ever heard the saying 'the quick and the dead,' Elena? Quick means living; it means those who have life. I'm the other half."

He could see that she was trembling. But her voice was calm, and her eyes never left his. "Tell me," she said again. "Stefan, I have a right to know."

He recognized those words. And they were as true as when she had first said them. "Yes, I suppose you do," he said, and his voice was tired and hard. He stared at the broken window for a few heartbeats and then looked back at her and spoke flatly. "I was born in the late fifteenth century. Do you believe that?"

She looked at the objects that lay where he'd scattered them from the bureau with one furious sweep of his arm. The florins, the agate cup, his dagger. "Yes," she said softly. "Yes, I believe it."

"And you want to know more? How I came to be what I am?" When she nodded, he turned to the window again. How could he tell her? He, who had avoided questions for so long, who had become such an expert at hiding and deceiving.

There was only one way, and that was to tell the absolute truth, concealing nothing. To lay it all before her, what he had never offered to any other soul.

And he wanted to do it. Even though he knew it would make her turn away from him in the end, he needed to show Elena what he was.

And so, staring into the darkness outside the window, where flashes of blue brilliance occasionally lit the sky, he began.

He spoke dispassionately, without emotion, carefully choosing his words. He told her of his father, that solid Renaissance man, and of his world in Florence and at their country estate. He told her of his studies and his ambitions. Of his brother, who was so different than he, and of the ill feeling between them.

"I don't know when Damon started hating me," he said. "It was always that way, as long as I can remember. Maybe it was because my mother never really recovered from my birth. She died a few years later. Damon loved her very much, and I always had the feeling that he blamed me." He paused and swallowed. "And then, later, there was a girl."

"The one I remind you of?" Elena said softly. He nodded. "The one," she said, more hesitantly, "who gave you the ring?"

He glanced down at the silver ring on his finger, then met her eyes. Then, slowly, he drew out the ring he wore on the chain beneath his shirt and looked at it.

"Yes. This was her ring," he said. "Without such a talisman, we die in sunlight as if in a fire."

"Then she was… like you?"

"She made me what I am." Haltingly, he told her about Katherine. About Katherine's beauty and sweetness, and about his love for her. And about Damon's.

"She was too gentle, filled with too much affection," he said at last, painfully. "She gave it to everyone, including my brother. But finally, we told her she had to choose between us. And then… she came to me."

The memory of that night, of that sweet, terrible night came sweeping back. She had come to him. And he had been so happy, so full of awe and joy. He tried to tell Elena about that, to find the words. All that night he had been so happy, and even the next morning, when he had awakened and she was gone, he had been throned on highest bliss…

 

It might almost have been a dream, but the two little wounds on his neck were real. He was surprised to find that they did not hurt and that they seemed to be partially healed already. They were hidden by the high neck of his shirt.

Her blood burned in his veins now, he thought, and the very words made his heart race. She had given her strength to him; she had chosen him.

He even had a smile for Damon when they met at the designated place that evening. Damon had been absent from the house all day, but he showed up in the meticulously landscaped garden precisely on time, and stood lounging against a tree, adjusting his cuff. Katherine was late.

"Perhaps she is tired," Stefan suggested, watching the melon-colored sky fade into deep midnight blue. He tried to keep the shy smugness from his voice. "Perhaps she needs more rest than usual."

Damon glanced at him sharply, his dark eyes piercing under the shock of black hair. "Perhaps," he said on a rising note, as if he would have said more.

But then they heard a light step on the path, and Katherine appeared between the box hedges. She was wearing her white gown, and she was as beautiful as an angel.

She had a smile for both of them. Stefan returned the smile politely, speaking their secret only with his eyes. Then he waited.

"You asked me to make my choice," she said, looking first at him and then at his brother. "And now you have come at the hour I appointed, and I will tell you what I have chosen."

She held up her small hand, the one with the ring on it, and Stefan looked at the stone, realizing it was the same deep blue as the evening sky. It was as if Katherine carried a piece of the night with her, always.







Дата добавления: 2015-09-04; просмотров: 427. Нарушение авторских прав; Мы поможем в написании вашей работы!




Кардиналистский и ординалистский подходы Кардиналистский (количественный подход) к анализу полезности основан на представлении о возможности измерения различных благ в условных единицах полезности...


Обзор компонентов Multisim Компоненты – это основа любой схемы, это все элементы, из которых она состоит. Multisim оперирует с двумя категориями...


Композиция из абстрактных геометрических фигур Данная композиция состоит из линий, штриховки, абстрактных геометрических форм...


Важнейшие способы обработки и анализа рядов динамики Не во всех случаях эмпирические данные рядов динамики позволяют определить тенденцию изменения явления во времени...

РЕВМАТИЧЕСКИЕ БОЛЕЗНИ Ревматические болезни(или диффузные болезни соединительно ткани(ДБСТ))— это группа заболеваний, характеризующихся первичным системным поражением соединительной ткани в связи с нарушением иммунного гомеостаза...

Решение Постоянные издержки (FC) не зависят от изменения объёма производства, существуют постоянно...

ТРАНСПОРТНАЯ ИММОБИЛИЗАЦИЯ   Под транспортной иммобилизацией понимают мероприятия, направленные на обеспечение покоя в поврежденном участке тела и близлежащих к нему суставах на период перевозки пострадавшего в лечебное учреждение...

Объект, субъект, предмет, цели и задачи управления персоналом Социальная система организации делится на две основные подсистемы: управляющую и управляемую...

Законы Генри, Дальтона, Сеченова. Применение этих законов при лечении кессонной болезни, лечении в барокамере и исследовании электролитного состава крови Закон Генри: Количество газа, растворенного при данной температуре в определенном объеме жидкости, при равновесии прямо пропорциональны давлению газа...

Ганглиоблокаторы. Классификация. Механизм действия. Фармакодинамика. Применение.Побочные эфффекты Никотинчувствительные холинорецепторы (н-холинорецепторы) в основном локализованы на постсинаптических мембранах в синапсах скелетной мускулатуры...

Studopedia.info - Студопедия - 2014-2024 год . (0.008 сек.) русская версия | украинская версия